You Made It

Unpublished writers focus on getting that first book published. It's like a mountain that needs to be climbed, but once you reach the top you've made it. You've passed into that magic land of published authors. Your years of rejections are over. You're vindicated to all the naysayers in your life.

You made it. You're a published author.

Now put down the champagne, box up the chocolates. That mountain you thought you scaled turns out to be a foothill. Unless you are satisfied with having one book published and have no desire or interest in doing another, your career as a writer has just begun.

It can be daunting. Suddenly you're being told you have to promote your newly published book. You need a web page, a blog, a Facebook account, Twitter... to start. Many of these should be put in place before you get that first contract. Not only is it a good way to start promoting yourself, but it will cut down on the things you suddenly have to do yesterday when the publisher says we want your book.

You may be encouraged to join writing groups in your genre. Sisters in Crime, Crime Writers of Canada, Romance Writers of America, Mystery Writers of America, Science Fiction Writers of America, International Thriller Writers and the Historical Novel Society cover most of the genres.

Yahoo has a huge number of writing related groups. I recommend joining Yahoo and searching for groups you think would interest you. Two I would recommend no matter what genre you write, are: Publishing Trove, which is for authors, publishers, agents and promotional groups, and: 

Announce Online Writing Class an excellent resource for online classes, and I highly recommend that writer's of all levels take classes. There are many that are very reasonable.

But wait. You should set up readings and signings at as many bookstores as you can contact, and no, your publisher will not pay to send you anywhere. Going to genre specific conferences are another good thing to do. I recommend them even for non-published authors. Many of them have workshops and you make invaluable contacts, including agents and editors. Once you're published, go to conferences and try to get on panels. Again it's networking.

Your mantra now must be promote, promote, promote and write, write, write.

Authors these days don't have years, or even months between publications. To have any kind of real success these days, you have to produce. A lot.

Pat Brown, author of 12 novels and several short stories and novellas has been published since 2006. Since that time she has attended numerous conferences, her favorites being the Left Coast Crime. As well, she regularly takes online classes to improve her writing. She'd take in person classes, but there are never any held in her area.

Her newest book, LATIN BOYZ, will be released by Amber Quill in February. It's one of her most ambitious novels yet, a story about a young Latino man in the barrios of East Los Angeles who faces hardships both as he tries to protect his family and struggle to come to terms with his homosexuality and attraction to an LAPD patrol officer.

Visit her Web Site

And her Blog

Weaving History into Your Novel

Weaving history into your novel-



When I started writing, I was advised to, “Write what you like to read.” For me that was historical romance. Like most readers, I love the journey to another time and enjoy imagining how things used to be. I realized in order to draw my readers into yesteryear and thoroughly ground them in that world, I would have to invest a good deal of my time and energy in research.



If that is what you want to do, you must enjoy the research. If it is a burden for you, ask yourself why your story must be told in that time period.

When a reader opens your book, they will already have some awareness of that time. Regency and Civil War fans are incredibly knowledgeable. If what you present in your story doesn’t match with what they know, you will lose your credibility. Whatever facts your reader learns throughout your story, they must be accurate. Always look it up. Double check your sources. Just because it is on the internet, doesn’t mean it is true. A good writer will double, double check everything.



Be careful not to assume something is right just because it’s been done by someone else. Hollywood, for example, does the classic, shooting-the-hat-off-someone’s-head trick. It can’t be done. They tried it on an episode of Myth Busters. If you have doubts about something and can’t find the answer you need, don’t include it.



Before sitting down to write your story, look for general information first. Get a feel for the time period and then delve into your first draft. As you write, note the places where you have questions and begin a list. How does a lady mount a horse wearing a side-saddle? What is proper courtroom procedure in 1877? When your draft is complete you can dig for specifics. Be careful not to get side tracked. Having a list helps, but if your mind starts to spin off into another story, jot down your idea and get back on task.



The best way to ground your reader in your story is with your setting. While it is not necessary to use a real town it needs to feel real. Research the area to learn where and when certain ethnic groups settled. Use that information as you name your characters, keeping in mind names that are also appropriate to that era.



Avoid long descriptions and utilize the techniques of show versus tell. As you think about the five senses, use those sights, sounds and smells that are unique to your story’s time and place. Try to avoid using things overdone by other writers.



Weave the action of everyday life around dialogue. Show your hero loading his gun as he argues with the heroine just before the outlaws attack. And remember to keep the action tags brief so as not to take away from the emotional energy of the dialogue.



In talking about dialogue, watch out for modern phrasing. Using a word before its time in history is not a good idea. Your reader will notice. I had a character use the word, “okay.” An editor at a workshop I attended pointed out that the word didn’t come into use until WWI. Words have birthdays, as does every tool, piece of furniture and article of clothing. I also had my hero in LOST HEARTS wearing a Fish rain slicker. Double checking facts during edits I realized the rain coat wasn’t invented until 1881, and my story took place in 1877.



In developing your characters, be careful not to impose twenty-first century thoughts and ideas on them because you are uncomfortable with the mind set of society at that time. It can be hard to keep the characters true to their time period and still make them sympathetic to the modern reader. Etiquette books, letter collections, diaries, memoirs and books written during the time period can give you that extra bit of insight to help you achieve that balance.



Think about your character’s education level. Limit their knowledge to their social and economic level. A Boston debutante, an Irish immigrant or Scottish Laird will each speak and react differently in the same situation. Their knowledge of government and national news will vary.



Regency romances use snappy banter, and formal language. If your story takes place during a cattle drive, keep in mind the language of those men. Lasso is a modern word. The men who lassoed wayward cows actually called it a catch or throw rope. If you enjoy Civil War stories, remember to double check the names of the battles. A northerner might talk about the battle of Antietam, while a southerner would refer to the same battle as Sharpsburg.



Be careful not to include a history info dump. In my new book, LOST HEARTS, I wrote an entire paragraph about the system of signals outlaws used to warn each other of deputy marshals in Indian Territory. My editor wisely suggested I delete it as it took the reader out of the story action. Review comments from your critique partners carefully. Just because you find outlaw signals interesting, doesn’t mean it belongs in your story.



Historical information can be difficult to find. Again, beware of on-line sources. Search the bibliography of books you’ve read to see what sources that author used. Peruse those books on Amazon then go to the library and see if they can find them through their inter-loan library system. Contact reference librarians or historical societies in the area. Archived newspapers, old magazines and catalogs are another source for fascinating details that can make your setting come alive and really ground your reader in the time period. Museums, historical homes and antique stores are fun ways to gather information. I went to a gun show once not only to see the guns my heroes used, but to hold them, to feel the weight of them in my hand and learn how they were loaded.



Don’t be afraid to ask fellow authors. Join critique groups and writers loops. Writers as a whole are very supportive of each other and most are willing to share their odd bits of knowledge. As you spend time networking, keep an eye out for possible research links mentioned on various blogs and web sites. Write them in a small notebook so you don’t have to waste time later searching on Google. Reenactor’s clothing sites are good for costuming, and the color photos are helpful. Again, double check. Not all reenactors dress in accurate period costumes.



Text books, Audubon guides to plants and wild life, and maps can provide the tiny details that give life to your story. I would like to add that in researching LOST HEARTS, I learned that the native grasses of Oklahoma, which covered a large portion of Indian Territory at the time of my story are now gone. Man does alter the environment, creating lakes, cutting down whole forests, and adding to the shoreline with landfill. Make sure your heroine doesn’t bathe in a lake that didn’t exist.



Take careful notes. Document where your information came from; include the book, link, website, author, title, and page number so you can easily put your finger on the information if someone asks. While it takes time to do this it will save you from having to go back and hunt through books and web sites looking for the same information all over again. This will also save you time as you research your next book or short story.



Everyone has stories to share of mistakes made by authors, so glaringly obvious, the book became a wall banger. Don’t let that be your book. Take your time. Historical accuracy and authenticity are important.



As with the craft of writing, the more you learn the better you become as a writer. It is the same with research. The more you dig, the more you find you didn’t know. If you discover that you’ve made a mistake and it’s too late to change it, forgive yourself, let it go and keep on writing. Don’t let the fear of getting it wrong keep you from writing a historical. Assume your next book will be better than your first and the one after that even better yet. Have fun and think about all the knowledge you’ve gained for playing Cash Cab and Jeopardy.